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The legend was further embroidered by the remark that if the diamond had previously been placed in the fresh and still warm blood of a ram, it could then be broken, but with great difficulty. . This legend was still current in Europe as late as the middle of the thirteenth century. . The actual fact is that the diamond, although exceedingly hard (it is the hardest substance known can easily be split by a light blow along a plane of crystallisation. It is therefore permissible to estimate with a sufficient degree of accuracy that the diamond became known in India during the buddhist period, about the fourth century. C., and that its use as a gem dates from that period. It is not known with certainty when and where the art of grinding or polishing diamonds originated. . There is as yet no source of ancient Indian literature in which the polishing of diamonds is distinctly set forth, although the fact that diamond is used for grinding gems generally is mentioned. .

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diamonds have existed in these deposits within the duke reach of man for many ages, but the knowledge of the diamond as a gem or as a crystal with exceptional qualities does not go back in India to the unfathomable antiquity which books on diamonds generally. It was wholly unknown in the vedic period, from which no specific names for precious stones are handed down at all. 1 The earliest systematic reference appears to be the Arthaçastra of kautilya (about third century. where the author mentions six kinds of diamonds classified according to their mines, and describes them as differing in lustre and hardness. He also writes that the best diamonds should be large, regular, heavy, capable of bearing blows, 2 able to scratch metal, refractive and brilliant. In the milinda-pañha (Questions of King Milinda) (about first century. C.) we read that the diamond ought to be pure throughout, and that it is to be mounted together with the most costly gems. This is the first manuscript in which the diamond is classed as a gem. Berthold laufer, The diamond : a study in Chinese and Hellenistic Folklore (Chicago, 1915). . This legend of the indestructibility of the diamond, which reappears in many other places, and to which the test of the diamond's capacity of bearing the strongest blows was due, has caused the destruction of perhaps a very large number of fine stones. .

The measures of these brilliants are given at the end of the volume both in a tabulated and in a graphical form. It will be seen how strikingly near the actual measures are to the calculated ones. The method used in the present work will be found very useful for the design of other transparent precious and semi-precious stones, although it will be found advisable in the case of stones of an agreeable measles colour to cut the gem somewhat thicker than the. The same remark applies to diamonds of some exceptional and beautiful colour, like blue or pink, where the beauty or value of the stone increases with the depth of its colour. Part i historical It is to Indian manuscripts and early Indian literature we turn when we want to find the origin of diamond cutting, for India has always been regarded as the natural and ancient home of the diamond. . It is there that they were first found : up to 1728, the date of the discovery of the Brazilian deposits, practically the whole world's supply was derived from Indian sources. They are found there in the valleys and beds of streams, and also, separated from the matrix in which they were formed, in strata of detrital matter that have since been covered by twelve to sixteen feet of earth by the accumulations of later centuries. .

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139 Introduction This book is written principally for students of precious stones and jewellers, and more particularly for diamond manufacturers and diamond cutters and polishers. The author will follow the evolution of the shape given to a cut diamond, and discuss the values biography of the various shapes and the reason for the discarding of the old shapes and the practically universal adoption of the brilliant. It is a remarkable fact that, although the art of cutting a diamond has been known for more than two thousand years, it is entirely empirical, and that, though many keen contemporary minds have been directed upon the diamond, and the list of books written. The present volume's chief aim is the calculation of that shape. The calculations have been made as simple as possible, so as not to be beyond the range of readers with a knowledge of elementary geometry, algebra, and trigonometry. . Where, however, it was found that the accuracy measles of the results would be impaired without the introduction of more advanced mathematics, these have been used, and graphical methods have been explained as an alternative. The results of the calculations for the form of brilliant now in use were verified by actual mensuration from well-cut brilliants. .

 64.  80.  94. Best Proportions of a brilliant 97, appendix.-Editor's Notes. 105 (Corrected) rounding Errors. 106, derivation of Formulas. 128 Formulas for Best Proportions. 129 (Corrected) Best Proportions. 134 Errors and Inconsistencies.

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Diamond Design-a study of write the reflection and Refraction of Light in a diamond-by marcel Tolkowsky. Edited and corrected by jasper paulsen. A study of the reflection and Refraction of Light in a diamond by, marcel Tolkowsky,.,. With 37 illustrations, london:. Spon, Ltd., 57 haymarket,. New York: Spon chamberlain, essay 120 Liberty Street 1919, world Wide web edition with formulas showing how the best crown angle and table size depend on the pavilion angle edited by, jasper paulsen, seattle: t, copyright 2001 page.

. . Part .-historical. 8 " .-Optical. 26 " iii.-mathematical. 53. 59.

It was wholly unknown in the vedic period, from which no specific names for precious stones are handed down at all. 1 The earliest systematic reference appears to be the Arthaçastra of kautilya (about third century. where the author mentions six kinds of diamonds classified according to their mines, and describes them as differing in lustre and hardness. He also writes that the best diamonds should be large, regular, heavy, capable of bearing blows, 2 able to scratch metal, refractive and brilliant. In the milinda-pañha (Questions of King Milinda) (about first century. C.) we read that the diamond ought to be pure throughout, and that it is to be mounted together with the most costly gems.


This is the first manuscript in which the diamond is classed as a gem. Berthold laufer, The diamond :  a study in Chinese and Hellenistic Folklore (Chicago, 1915). . This legend of the indestructibility of the diamond, which reappears in many other places, and to which the test of the diamond's capacity of bearing the strongest blows was due, has caused the destruction of perhaps a very large number of fine stones. . The legend was further embroidered by the remark that if the diamond had previously been placed in the fresh and still warm blood of a ram, it could then be broken, but with great difficulty. . This legend was still current in Europe as late as the middle of the thirteenth century. . The actual fact is that the diamond, although exceedingly hard (it is the hardest substance known can easily be split by a light blow along a plane of crystallisation. It is therefore permissible to estimate with a sufficient degree of accuracy that the diamond became known in India during the buddhist period, about the fourth century. C., and that its use as a gem dates from that period.

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It will be seen how strikingly near the actual measures are to the calculated ones. The method used in the present work will be found very useful for the design of other transparent precious and semi-precious stones, although it will be found advisable in the case of stones of an agreeable colour to cut the gem somewhat thicker than the. The same remark applies to diamonds of some exceptional and beautiful colour, like blue or pink, where the beauty or value of the stone increases with the depth of its colour. Part i historical It is to Indian manuscripts and early Indian literature we turn when we want to find the origin of diamond cutting, for India has always been regarded as the natural and ancient home of the diamond. . It is there that they were first found : up to 1728, the date of the discovery of the Brazilian deposits, essay practically the whole world's supply was derived from Indian sources. They are found there in the valleys and beds of streams, and also, separated from the matrix in which they were formed, in strata of detrital matter that have since been covered by twelve to sixteen feet of earth by the accumulations of later centuries. . diamonds have existed in these deposits within the reach of man for many ages, but the knowledge of the diamond as a gem or as a crystal with exceptional qualities does not go back in India to the unfathomable antiquity which books on diamonds generally.

thank you note to thesis advisor

The author will follow the evolution of the shape given to a cut diamond, and discuss the values of the various shapes and the reason for the discarding of the old shapes and the practically universal adoption of the brilliant. It is feux a remarkable fact that, although the art of cutting a diamond has been known for more than two thousand years, it is entirely empirical, and that, though many keen contemporary minds have been directed upon the diamond, and the list of books written. The present volume's chief aim is the calculation of that shape. The calculations have been made as simple as possible, so as not to be beyond the range of readers with a knowledge of elementary geometry, algebra, and trigonometry. . Where, however, it was found that the accuracy of the results would be impaired without the introduction of more advanced mathematics, these have been used, and graphical methods have been explained as an alternative. The results of the calculations for the form of brilliant now in use were verified by actual mensuration from well-cut brilliants. . The measures of these brilliants are given at the end of the volume both in a tabulated and in a graphical form.

of precious stones and jewellers, and more particularly for diamond manufacturers and diamond cutters and polishers.

. Part .-historical. 8 " write .-Optical. 26 " iii.-mathematical. 53. 59. 64.

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Diamond sex Design-a study of the reflection and Refraction of Light in a diamond-by marcel Tolkowsky. Edited and corrected by jasper paulsen. A study of the reflection and Refraction of Light in a diamond by, marcel Tolkowsky,.,. With 37 illustrations, london:. Spon, Ltd., 57 haymarket,. New York: Spon chamberlain, 120 Liberty Street 1919, world Wide web edition with formulas showing how the best crown angle and table size depend on the pavilion angle edited by, jasper paulsen, seattle: t, copyright 2001 page. .


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  1. Thank you letter to a teacher. But my gratitude for you as my thesis adviser would not end. Thank you for allowing me to learn from my own. I am nearing the end of my PhD and I would quite like to buy a thank you gift for my supervisor (although, she s the socially awkward type who i m sure will be greatly embarrassed to receive one).

  2. Examples thank you notes for thanking your Financial. First off, thank you for being my academic advisor. I was not assigned to you. I reached out to you because i heard absolutely wonderful things about you in hopes of you becoming my academic advisor.

  3. I did thank him specifically. Dissertation and thank you notes to adviser and. Your advisor on campus can become your savior, best friend, and therapist. They can be the person to feed you candy and give you a box of tissues as you melt down about a bad grade or awful professor.

  4. 5 Tips to Show your, advisor, some Appreciation. Here are 5 tips to show your advisor how much you appreciate them: A thank - you note! How to say thanks. My relationship with my advisor any.

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